Set your preferred locations for a better search. You can sign up here.

Classical concerts featuring
Isata Kanneh-Mason

Overview

Quick overview of musician Isata Kanneh-Mason by associated keywords

New Arrivals

These concerts featuring Isata Kanneh-Mason became visible lately at ConcertPulse.

Nothing found for now.

Upcoming Concerts

Concerts featuring Isata Kanneh-Mason in season 2024/25 or later

February 3, 2025
Artistic depiction of the event

In Feierlaune

Mon, Feb 3, 2025, 19:30
Shiyeon Sung, Isata Kanneh-Mason (Piano)
Joseph Haydn's Symphony No. 44, known as "Trauer" (Mourning), is surprisingly lively and festive. Isata Kanneh-Mason performs Sergei Prokofiev's Piano Concerto No. 3, and Shiyeon Sung, a prominent South Korean conductor, leads Mussorgsky's Pictures at an Exhibition. The concert introduction begins 30 minutes prior in the Glocke's "Kleinen Saal".
February 4, 2025
Artistic depiction of the event

In Feierlaune

Tue, Feb 4, 2025, 19:30
Shiyeon Sung, Isata Kanneh-Mason (Piano)
Joseph Haydn's Symphony No. 44, known as "Trauer" (Mourning), is surprisingly lively and festive. Isata Kanneh-Mason performs Sergei Prokofiev's Piano Concerto No. 3, and Shiyeon Sung, a prominent South Korean conductor, leads Mussorgsky's Pictures at an Exhibition. The concert introduction begins 30 minutes prior in the Glocke's "Kleinen Saal".
March 4, 2025
April 29, 2025
Artistic depiction of the event

Sheku & Isata

Tue, Apr 29, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Sheku Kanneh-Mason (Cello), Isata Kanneh-Mason (Piano)
Our Artist in Residence, cellist Sheku, and his sister, pianist Isata, are the best-known of the musically highly gifted seven children of the British Kanneh-Mason family. Somebody who has grown up playing instruments together like these two will be more familiar with the other person's playing than almost anyone else - an excellent prerequisite for a top-class duo recital! In Francis Poulenc's cello sonata from 1948, “romanticism, neoclassicism and modernism join hands”. This is followed by the first of Gabriel Fauré's two cello sonatas. It was composed in 1917 during the highly productive late phase of the 72-year-old composer and director of the Paris Conservatoire, whom Debussy called “maître de charme” and whom d'Indy envied for his compositional freshness even a few years later. This is followed by a short piece by British composer, violinist and Menuhin pupil Natalie Klouda (*1984) and Felix Mendelssohn's first cello sonata, which Robert Schumann (presciently?) described as “the purest music...suitable for the finest family circles”.